---
title: Future Repertoire
description: Future Repertoire on Operabase that allows artists to showcase their desired future roles/musical works to casting professionals and artistic administrators.
---
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# Future Repertoire
## Future Repertoire on Operabase allows artists to showcase their desired future roles/musical works to casting professionals and artistic administrators.
### **What is Future Repertoire?**
Future Repertoire lets artists list up to five works or roles they would like to perform, whether prepared or unprepared. This helps casting professionals and artistic administrators understand your career aspirations and casting preferences, and it is also shown in the Casting Tool.
### **How to add Future Repertoire**
1. Log in and click Manage profile.
2. Go to Future Repertoire.
3. Add details of the musical works or roles you'd like to perform.
### **What's the difference between prepared and unprepared?**
A prepared work or role is one you have thoroughly studied and are ready to perform with minimal further preparation. For off-stage artists, this means you already have a clear vision, with drawings, visualisations or prototypes. An unprepared work or role is one you are interested in but haven't yet studied or prepared in full.
#### **Examples**
- **Singers:** prepared, Mimì in La Bohème, fully studied and rehearsed; unprepared, Siegfried in Wagner's Ring Cycle, not yet learned.
- **Conductors:** prepared, Beethoven's Symphony No. 5, analysed and rehearsed with an orchestra; unprepared, Mahler's Symphony No. 2, not yet studied or rehearsed.
- **Designers:** prepared, costume sketches completed for The Nutcracker after research and collaboration with the director; unprepared, a concept for Puccini's Tosca with no research or designs yet.
- **Instrumentalists:** prepared, the solo part of Mendelssohn's Violin Concerto, technique and phrasing rehearsed; unprepared, Rachmaninoff's Piano Concerto No. 3, not yet practised.
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